Does Endgame mark a decisive win for “content” over “cinema”?
Cinema is dead and Endgame killed it. It may sound paradoxical to say that a film that put butts in seats to the tune of $1.2 billion last weekend was the nail in the coffin of the cinema experience, but that’s the argument that film critic Matt Zoller Seitz puts forth in a new essay on RogerEbert.com. What’s more,…