Popsi Revolutionaries of a Dying Culture

Madonna’s Fake Revolution: Eurovision, Cultural Hegemony and Resistance

by Ramzy Baroud - Palestine Chronicle

May 21, 2019

Rim Banna, a famous Palestinian singer who translated Palestine’s most moving poetry to song passed away on March 24, 2018, at the age of 51.

Rim captured the struggle for Palestinian freedom in the most dignified and melodious ways. If we could imagine angels singing, they would sound like Rim.

When Rim died, all Palestinians mourned her death. Although a few international outlets carried the news of her passing at a relatively young age, her succumbing to cancer did not receive much coverage or discussion.

Sadly, a Palestinian icon of cultural resistance who had inspired a whole generation, starting with the First Palestinian Intifada in 1987, hardly registered as an event worthy of remembrance and reflection, even among those who purport to champion the Palestinian cause.

Compare Rim to Madonna, an ‘artiste’ who has stood for self-aggrandizing personal fame and money-making. She has championed the most debased moral values, utilizing cheap entertainment while catering to the lowest common denominator to remain relevant in the music world for as long as possible.

While Rim had a cause, Madonna has none. And while Rim symbolized cultural resistance, Madonna symbolizes globalized cultural hegemony - in this case, the imposition of consumerist western cultures on the rest of the world.

Cultural hegemony defines the US and other Western cultures’ relationship to the rest of the world. It is not culture as in the collective intellectual and artistic achievements of these societies, but as a set of ideological and cultural tools used by ruling classes to maintain domination over the disadvantaged, colonized and oppressed.

Madonna, along with Michael Jordan, the Beatles and Coca Cola represent far more than mere performers and fizzy drinks, but also serve as tools used to secure cultural, thus economic and political dominance, as well. The fact that in some cities around the world, especially in the Southern hemisphere, Coca Cola “flows more freely than water” speaks volumes about the economic toll and political dimension of cultural hegemony.