The disappointing Domino is one of Brian De Palma’s clumsiest and most tedious thrillers
Before the rise of Quentin Tarantino, Brian De Palma reigned as the supreme fetishist of American movies, flirting with the absurd (and embracing camp) in thrillers, shockers, and occasional howlers that seemed to exist in part to indulge his own oversized appetite for kink and pastiche—a kind of pop cinema that…