Cannes winner Atlantics tells a richly imagined ghost story
In Mati Diop’s Atlantics, discontent reigns over the port city of Dakar, where a futuristic high-rise towers like some cruelly conceived lighthouse. When first introduced, Souleiman (Ibrahima Traoré), one of the construction workers of this building project, is agitating for three months of backpay; when he and his…