Добавить новость
ru24.net
News in English
Август
2020

Color Analysis: The Stag Fight

0

When Christian Renaut (author of „Les héroïnes Disney“) asked me for a comment on color in the stag fight scene in BAMBI (Hand, 1942), I felt the need to illustrate it with screenshots. Hence, my first color analysis post in years... 


Although Walt Disney was predominantly striving for dimensionally believable, naturalistic settings (in the vein of 19th century illustrations) when it came to animated features, during the golden age (1937-1942) his overall emotional approach to storytelling allowed for expressionistic use of shape and color during tense/subjective moments.

 

The resulting, less detailed backgrounds are easily integrated, however, since the characters (the focus of audience attention) keep their dimensionality, shape and proportions at all time. No flat shapes, no graphical abstraction. In addition, the Disney „dogma“ of value separation (i.e. either light character colors against dark background colors or vice versa) is closely followed, no matter how stylized the lighting gets. 

Left: light character on dark BG / right: dark character against light BG.

Concept art by Tyrus Wong (left via michaelbarrier.com, right via colossal.com)
 
Visible brushstrokes and less details in more impressionistic approach.

Thanks to Tyrus Wong's suggestive concept art, BAMBI generally feels much more impressionistic than the other films of that era. Besides atmospheric color choices, this impression mainly stems from a very selective degree of detail resulting in suggestive shapes of color and visible brush strokes. This is closely maintained throughout the two fantasy sequences when Bambi follows Faline through the clouds and during their stroll through the night.

 

[Side note: the fantasy sequence immediately before the stag fight has the deer float among more or less realistically painted clouds that resemble the snow only with pink instead of yellow highlights.]

Snow: light blue with yellow highlights / love clouds: with pink highlights

Right between these two love scenes, however, Bambi has to fight his rival Ronno who suddenly appears behind a cloud and brings Bambi back down to earth.

The actual stag fight takes only one minute, it leaves a strong impression not least because of its bold color design. In the backgrounds, there are a lot of expressionistic color transitions with a general arc from green and blue towards red and golden orange. But although the „story meeting commentary“ on the blu-ray insinuates that those color choices were guided by „symbolism throughout“, I believe that what made it to the screen works primarily on an emotional level without too much rationalizing. So in this analysis of the latest blu-ray transfer (which may differ from what the film looked like in Technicolor), I primarily look at how these color combinations work and how they affect me.

 

The transition

When the cloud setting transitions back to the forest, the familiar brown vs green contrast makes the deer stand out quite naturally. Furthermore, the shades of brown adhere to the well-established Hollywood convention of value-coding: the skin of the female love interest is paler (less saturated) than the hero's skin and in this scene leaning more towards violet. The villain Ronno is deliberately darker than Bambi, especially around the eyes, looking almost like a shadow version of Bambi with more dangerous antlers.

Ronno the Rival
different skin tones according to convention.

Faline paler, Bambi "default", Ronno darker...

While the scene starts out in a naturalistic way, the transition happens step by step. First, a brisk change in lighting after a cut indicates a subjectively heightened perception of the situation. The story notes mention a sunset, what we actually see is heightened contrast and saturation in the green background and glowing golden rim light on Faline and Ronno. This may not look natural but makes for a bold color contrast. The sunset impression also comes from the fact that during the whole stag fight, Bambi and Ronno are always dark against light (except for one short shot). Even in less extreme backlighting, this effect is supported by the rim light that is brighter than the white of the deers' eyes.

During Bambi's attack from the right, the transition is taken further within a shot over the course of which Bambi's body becomes a dark silhouette against a backdrop of broad brush strokes and blue and green shapes devoid of detail (54:19:13).

Bambi from the right, smooth lighting change against broad shapes.

Ronno from the left.

We then see Ronno's counter-attack from the left with hard lighting from the right (aka the expressionist sunset). Contrast is now so high that parts of the image remain pitch black. 


What is more, although perspective and dimensionality are maintained, in the following long shot the level of detail is extremely low. A sketchy brown branch on the left and a silhouetted branch on the right provide the necessary depth cues with dramatic lighting setting the stage for the action.

Cut from high contrast, high saturation to similar, more stylized background.
This setup (right) resembles the style of the first hunting scare (left).

And since Ronno's half of the background is a lot darker (above), this is the one shot where he is much lighter than Bambi and everything else in the shot. Thus, it looks like two contrasting forces (bright orange Ronno and pitch black Bambi) are about to collide.

 

Ignoring color continuity

However, when the actual collision happens in the next shot, both dear are equally dark against an abstract dark blue background. 


In this elaborately animated shot, Ronno takes Bambi on his antlers and throws him to the left setting up the basic left-right-orientation for the remainder of the fight. At the same time, three basic concepts of the sequence are established:

  1. since the editing adheres to meticulous action continuity, the artists applied colors freely without paying attention from shot to shot. No matter how much the colors change from one shot to the next, there is always at least one element that remains stable across cuts.

  2. While the characters appear in „expensive Disney silhouettes“ (my own expression) – almost black but still with slight differences in color for lighter body parts and eyes – often against dark backgrounds, the movement is suggested a layer of fierce rim lights, sometimes containing additional highlights in an even brighter color.

  3. The degree of detail in the background varies greatly from just a direction of brushstrokes and gradient to some sketchily defined piece of vegetation or even fully rendered leaves and blades of grass. This way, we don't really see these color flashes as abstract backgrounds because like with the rim light on the characters, there are always enough representational elements in the frame to suggest a full setting.

 

Stage-managing emotional color changes

During Bambi and Ronno's initial clash, both are defined by the harsh orange sidelight (and fierce white highlights) of a heated confrontation. But during Bambi's fall to the left, his rim light turns cold as he enters a zone of fictitious blue light from above. Like in most of Disney's more expressionist sequences, this is much more reminiscent of elaborate stage lighting rather than abstract painting.

This notion seems to be confirmed by the fact that when Ronno approaches Bambi he is also bathed in blue overhead lighting and only re-enters the hot orange zone when the action moves to the right (a prime example of the old orange vs teal contrast, if ever there was one).

So rather than separating the two dear by colors, the lighting evokes the emotional involvement in the fight, sometimes using a hard cut to flip from hot to cold as Bambi goes down again (54:28:14).

Then we get the first brief shot from Bambi's point of view: Ronno's orange/white rimmed silhouette runs straight at the camera against a non-representational gradient made of broad diagonal brush strokes.

Now the darker rim light on both characters is green, somewhere inbetween the blue and green of the background. This overall green look is extended to a shot of Faline watching the action in an almost unicolored setup.

Bambi's next attack begins with orange top light but only adds the white highlight in the spot where the two stags meet. Again, the background colors flip across an axial continuity cut from green to orange vs blue (54:37:07) with Ronno on the orange side and Bambi against a dark blue background looking up at Ronno attacking him yet again from a bright background (maybe looking up at a cloud or light source?) that emphasizes the darkness of Ronno's silhouette.


BG colors change with hard cuts
BG colors change with hard cuts
BG colors change with hard cuts

During the next wrestling match (54:45.10), by way of a pan, the green background turns to blue while the blue rimlight gradually transitions to red and orange, which is again reflected in a unicolored shot of Faline watching the action (now staged as shadows over her face and the rock behind her)

continuous color change of rim light.

The sunset justification

Taking into account that all this was supposedly happening while the sun was setting on the right (the typical narrative pretense for colored lighting in Hollywood films at the time), we have now entered the final stage: the lower half of the backgrounds are already in the dark, devoid of warm sunlight.

As we cut from a wide shot to a close-up of the wedged heads, the background snaps to a fully saturated diagonal gradient from dark blue over magenta to red reminiscent of the fierce red glow that occurs shortly after the sun has set (and foreshadows the forest fire). 

The sky is now burning...

Emotionally, the fully saturated red seems to tell us that we have reached the apex of the stag fight.

With red fury on his side, Bambi is getting the upperhand

Indeed, the two clash one last time. Only this time around, Bambi is strong enough to through Ronno off the cliff into the cold violet water (down below, so technically not in the warm part of the background any more). Remarkably, those last few shots have been defined by just enough representational detail that the fully dimensional background during Ronno's fall doesn't attract our attention.

Again entering the striking highlight zone...

Suggestive, leaving much to the imagination, but still representational.

BG colors change with a hard cut.
the final POV shot of Ronno attacking.

The same BG in different colors, early expertise or later tampering?

[Side note: BAMBI has been heavily "restored" for DVD and again for Blu-ray. Without getting into all the things that don't feel right to me, I am very curious about the original colors of this POV background (55:01:16, above). It is certainly the same painting. And although there were indeed procedures that allowed for these kinds of color changes, I am not sure if it really fit the sunset part as well on Technicolor or if it was "fixed" in order to smoothly match the original vision as opposed to what ended up on screen.]

It's interesting how the same BG works for two different size relations!

Generally, the diagonal left-to-right dynamics (Bambi's direction) are adhered to in abstraction as well.

The iconic shot

After this predominantly red climax, for the aftermath – and real payoff – the sky turns gold as Bambi towers over his rival in a simple but strong composition. By this saving-a-damsel-in-distress-and-proving-himself moment, Bambi seems to have earned the „prince of the forest“ staging. He may not yet be ready to succeed the old prince in all aspects, but it is certainly the first time, he is seen in this iconic pose that is backlit so the characters appear as clear silhouettes against a lighter backdrop.

What is interesting about this shot is the direction: here, Bambi still looks to the right (i.e. "ahead" as the convention goes), while the adult Great Prince of the Forest always looks to left ("back" over his subjects, so to speak).
The Great Prince of the Forest (Bambi's father?)

And yes, in the end, Bambi himself becomes the Great Prince (or so it is visually suggested) taking over not only the pose and direction but the very spot of his predecessor (who is never verbally alluded to as his father).

Bambi succeeds the Great Prince and looks back over "his" realm.

All screenshots taken from the European blu-ray edition (time code based on 23.976fps).
Click on the images for larger versions.



Moscow.media
Частные объявления сегодня





Rss.plus




«Чужие люди»: Миша Житов представил вайбовый трек для весенних вечеров

Клубный дом Моне - жилой комплекс, вдохновленный искусством

ГК «ДИАКОН» представляет современные решения лабораторной диагностики на XI Международном конгрессе «Санаторно-курортное лечение» в Москве

Саймон Купер: человек, который заставил футбол заговорить по-новому


Australia approves 40-year extension for contentious gas plant

European Darts Open 2025: Schedule and results as Nathan Aspinall and Stephen Bunting head stacked field

Arsenal ‘pushing hardest’ for Julian Alvarez transfer but face battle with Premier League rivals for ex-Man City star

EuroMillions jackpot rolls over to £185,000,000 after no one claims ticket


Европейцы плачут: Жить, как русские, им не по карману

Сына дагестанского чиновника арестовали в Саратове за совершение смертельного ДТП, с которого он скрылся

Функция Live Activity появилась в приложении каршеринга BelkaCar

Люси Пылаева и гигантский Labubu: новый уровень модной иронии на RU.TV 2025


Игра Cultivation Chat Group заняла топ-7 в китайском App Store

Началась предзагрузка Crystal of Atlan на PC и смартфонах

The Kingmakers system requirements show that the hardest part of running the game may be finding 80 GB free for the install

This underwater city builder had me more emotionally invested in my corals than SimCity does in my human citizens, and you can try it at the next Steam Next Fest



ЦСКА в сезоне 2024/25

Саймон Купер: человек, который заставил футбол заговорить по-новому

Сергей Собянин: В Москве более 65 компаний в проекте «Техностажировка»

Котировки команд РПЛ на следующий сезон




МосгорБТИ обследовало более трех тысяч квартир в домах по программе реновации с начала года

Замглавы ТГК-14 Мясника заключили под стражу до 28 июля

Люси Пылаева и гигантский Labubu: новый уровень модной иронии на RU.TV 2025

Куда отправиться из Москвы в речном круизе? Обзор городов и теплоходов


Лужники: временное закрытие дорог из-за футбольных матчей 1 и 6 июня

Факт: первый миллион за год зарабатывают 10% российских предпринимателей

Тестирование мигрантов на знание русского отменяется: и в школах, и на работе

Москва готовится к грозе: спасатели предупреждают о сильном ветре и дожде


Касаткина победила Бадосу и вышла в 1/8 финала «Ролан Гаррос»

Монфис совершил камбэк с 0-2 и пробился во второй раунд "Ролан Гаррос"

Касаткина о выступлении за сборную Австралии: «Это вопрос, который Tennis Australia должна решать с ITF – это уже совсем другой разговор, и я не буду в нем участвовать»

Рыбакина: Я знаю, как Свентек себя чувствует на парижских кортах


В Москве подвели итоги конкурса короткометражного кино о подвигах героев ВОВ

ЦСКА готов заплатить восемь миллионов евро за Алвеса, пишут СМИ

Факт: первый миллион за год зарабатывают 10% российских предпринимателей

Джеко и Тадич покинули «Фенербахче»


Музыкальные новости

Надежда Кадышева обошла SHAMAN, Бузову и Басту по числу упоминаний в СМИ

Штрихи к портрету: посвящённая Шуберту выставка открылась в Полибино

Джиган выпустил первый совместный трек со старшей дочкой Ариелой: эксклюзивный комментарий

Mash: Артистка ансамбля МВД «Песни и танцы — Горница» умерла после изнасилования



Специальный показ анимационного фильма «Ай да Пушкин!» на фестивале «Пушкинфест» в Тверской области

ЦСКА в сезоне 2024/25

Саймон Купер: человек, который заставил футбол заговорить по-новому

Сергей Собянин: В Москве более 65 компаний в проекте «Техностажировка»


AP: Илон Маск покинет пост главы DOGE в администрации США

Вильфанд: В Москве с началом лета температура снизится до +20 °C

Утром во вторник из Пулково не вылетят 18 самолетов

В Москве на «Авито» продают игрушку Лалубу за 100 тысяч рублей


Владимир Ефимов: В Западном Дегунине около 700 горожан приступили к осмотру жилья по программе реновации

"Авито" запустил онлайн-бронирование такси в Москве и Санкт-Петербурге

Ефимов: в Западном Дегунине около 700 горожан осматривают жилье по реновации

ДТП произошло на внешней стороне 103-го километра МКАД с участием машины и мотоцикла


Неожиданное заявление о Трампе от западных аналитиков: считают ли они заслугой Путина?

Для участников специальной военной операции обеспечат возможность поступления на муниципальную службу

Путин предложил регионам рекомендации по обучению участников СВО

Визит вдовы Абэ к Путину подарил надежду в нормализацию отношений России и Японии


Правительство США утвердило новую вакцину против COVID-19 для применения

Новые условия безвиза планируют согласовать в июне Россия и Китай




Косметолог Никитенко назвала бьюти-процедуры, которые можно делать во время беременности

Офтальмолог Шкатова назвала болезни глаз, которые «подкрадываются» незаметно

Пластический хирург Софья Абдулаева: когда вам может быть отказано в пластике

Как подготовиться к визиту к трихологу?


Зеленский совершил очередную хамскую провокацию


Саймон Купер: человек, который заставил футбол заговорить по-новому

ЦСКА в сезоне 2024/25

Самые интересные игры для поклонников Формулы-1

Что такое хоббихорсинг




Собянин поблагодарил московских спасателей за труд и профессионализм

Мэр Москвы наградил лучших учителей Москвы

Сергей Собянин. Главное за день

Сергей Собянин назвал имена победителей профессионального конкурса для учителей


NBC: В США активисты требуют отключить суперкомпьютер Маска

Какие ягоды из Красной книги есть в лесах Подмосковья и что грозит за их сбор

За сутки в России было ликвидировано 44 природных пожара

В США произошла авария — грузовая фура с ульями с пчелами перевернулась


Синоптик Шувалов рассказал о возвращении погоды к климатической норме

Овчинский: 880 жителей ЮАО переехали по реновации с начала года

Бывший топ-менеджер "Росатома" получил 12 лет за взятку

В Москве подвели итоги конкурса короткометражного кино о подвигах героев ВОВ


Арктика с женским лицом: Архангельск готовится к масштабному форуму лидеров и идей

Архангельские гребцы завоевали две медали на первенстве России в Краснодаре

Жаркое, дождливое и опасное: какое лето ждет россиян

Заместитель прокурора Архангельской области и Ненецкого автономного округа Павел Матанцев провел личный прием работников ГУП НАО «Нарьян-Марская электростанция»


Встреча друзей «Библиотека – волшебное место, где книгам не скучно, где всем интересно».

Клубный дом Моне - жилой комплекс, вдохновленный искусством

«Поэма» в сердце города: новый уровень жизни в центре Симферополя

Из Петербурга будут ходить регулярные автобусы в Геленджик и Симферополь


«Страшное, ужасающее»: загородный дом Шаляпина зарос травой и раздражает соседей

Синоптик Шувалов рассказал о возвращении погоды к климатической норме

Московских врачей заманили на работу в Волгоградскую область

Пол прокомментировал победу над Хачановым












Спорт в России и мире

Новости спорта


Новости тенниса
Ролан Гаррос

Карлос Алькарас на защите парижского трона Ролан Гаррос






"Финны сделать ничего не могут. "Бастион" встанет в 40 км": Москва показала жесткую готовность ответить

Овчинский: 880 жителей ЮАО переехали по реновации с начала года

Факт: первый миллион за год зарабатывают 10% российских предпринимателей

Джеко и Тадич покинули «Фенербахче»