Vangelis, Oscar-Winning Composer for ‘Chariots of Fire,’ Dies at 79
Vangelis, the electronic-music pioneer who won an Oscar for “Chariots of Fire” and composed such other landmark film scores as “Blade Runner,” died Tuesday, the Athens News Agency reported. He was 79.
The self-taught musician enjoyed a long career in European pop music before the magical colors and textures of his 1970s solo albums brought him to the attention of film and TV producers. The use of a track from his 1975 album “Heaven and Hell” as the theme for Carl Sagan’s PBS series “Cosmos” brought his name and music into prominence in America.
But it was his music for the 1981 film “Chariots of Fire” that brought him worldwide fame. Producer David Puttnam made the unorthodox choice for his period sports drama after hearing Vangelis’s music for the French nature documentary “Opera Sauvage” and the studio album “China.” As he often did, Vangelis performed all of the instruments, including synthesizer, piano, drums and percussion. His memorable theme not only entranced moviegoers but the soundtrack reached no. 1 on the Billboard charts and was nominated for a Record of the Year Grammy.
He declined to attend the Academy Awards, where he won in March 1982. “They put a lot of pressure on me to go to America for the Oscar,” he told a British journalist at the time, “but I don’t like to be pushed, and especially for that. I hate the idea of competition.”
The Oscar for “Chariots of Fire” made him immediately bankable as a film composer. Ridley Scott hired him for his science-fiction film “Blade Runner” and Costa-Gavras engaged him for the Jack Lemmon drama “Missing,” both in 1982 and both nominated for BAFTA awards. The Mel GIbson remake of “The Bounty” followed in 1984. Subsequent scores, also for historical dramas, included Ridley Scott’s “1492: Conquest of Paradise” (1992) and Oliver Stone’s “Alexander” (2004), both less celebrated but still musically compelling for their mix of electronics with conventional orchestra and choirs. He also scored Roman Polanski’s erotic thriller “Bitter Moon” (1992). His last score was for the 2007 film “El Greco,” about a Greek painter.
Vangelis was born Evángelos Odysséas Papathanassíou on March 29, 1943, and raised in Athens. A self-taught pianist, he formed a rock band, the Forminx, in 1963, playing pop music and Beatles covers, but began working on film scores and sessions a few years later. After relocating to Paris, In 1968 he formed the progressive-rock quartet Aphrodite’s Child with a group of Greek expatriots, including Demis Roussos. The group enjoyed chart success in several European countries, particularly the single “Rain and Tear.”
After that group dissolves, he declined an offer to replace Rick Wakeman in progressive-rock legends Yes and instead focused on solo work and film scores. However, after moving to London in 1975, he began collaborating with Yes singer Jon Anderson, with whom he released four albums as Jon and Vangelis between 1980 and 1991, one of which reached the British top 5.
Vangelis’ stature in his home country is evidenced by a statement from Greek prime minister Kyriakos Mitsotakis, who called him “a pioneer of electronic sound.”
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