From the 100-second tracking shot to building pulse music that opens “The Realm” to the slug-fest finale of “May God Save Us,” Oscar-nominated Rodrigo Sorogoyen (“Mother”) has filmed some of the most exhilarating shots in recent Spanish cinema. His status as a filmmaker consolidated by a series, Movistar Plus’ “Riot Police,” “The Beasts” (“As Bestas”), […]
