GAZETTE: He held the title of professor of Egyptology, which you have now, but came back sparingly to teach. What can you tell us about his Harvard career?

MANUELIAN: He definitely had a Harvard loyalty. In 1904, when Phoebe Hearst was strapped and pulled her financial aid, suddenly Reisner was high and dry. That eventually led to a one-year agreement in 1905 to form the Harvard University-Boston Museum of Fine Arts expedition. It continued for another 40-plus years basically on a gentleman’s agreement. In 1910, Reisner became the second MFA Egyptian curator, a post he held until his death. Harvard didn’t pay Reisner in these early decades at all. The MFA was footing the bill for the excavations because they wanted to expand their collections. Harvard President [Charles William] Eliot said, “We’re not trying to create a competing Egyptian collection in Cambridge. We want the archives; we want the publication rights; we want the scholarship.” It was only later that Harvard stepped up and said, “We ought to be paying this guy something too.” Reisner was at times frustrated with the University and the museum in terms of their support. His teaching semesters were 1911, then not until 1921 — World War I was a real mess — and then 1925. That’s when one of his most famous discoveries at Giza occurred: the hidden burial shaft of Queen Hetepheres, the mother of the builder of the Great Pyramid. That was a hugely significant find. And then his last teaching semester was in 1929. He doesn’t get back again until he is blind from cataracts in 1939 and gets an honorary degree. It was also his 50th class anniversary. It’s a great honor, but at first he didn’t want to lose the work time with the long trip home. They talked him into it.

GAZETTE: He died a few years later?

MANUELIAN: After a month in Boston, he returned to Egypt, then suffered some strokes, and was bedridden for the last year of his life up at Harvard Camp, near his beloved pyramids. He died there in 1942. He was buried in the American Cemetery in Cairo, and efforts are currently underway to restore his headstone.

GAZETTE: So, even when he was ill, he stayed there instead of coming back?

MANUELIAN: He kept on writing, even trying to type when he couldn’t see. You should see his later letters. If his fingers are off by one key, you have to decipher them yourself. But he never complained and even through his blindness he never stopped working. He kept running the show. He had a team around him making drawings and typing up his publications. There are thousands of pages of unpublished manuscripts that we’ve put on the Giza website.

GAZETTE: Have subsequent archaeologists worked through the backlog of data from his finds?

MANUELIAN: At almost all of his 23 sites in Egypt and Sudan, new expeditions are active, asking different research questions, and adding to Reisner’s knowledge base.

In terms of his expedition records, that’s really what prompted the biography. I was doing the Giza Project at the Museum of Fine Arts — that started in 2000 — and the goal was basically to scan all the photos, type all the diaries, database all the objects, and then link them online for the world community. As we were creating this online archaeological tool, we came across all the other expedition correspondence — the letters and the gossip and the scandals — and I felt that this is a story that should be told.