‘The Greatest Hits’ Changed How These Stars Listen to Music
There are few distinctly human biological experiences more frustrating than wanting to cry but being unable to make the tears flow. We can feel the sadness in the core of our being, and our minds are trapped in the dense, impenetrable fog of our feelings, tumbling around our brains like a sneaker in the dryer. And yet, the tears just will not fall. If you’re like me, you remedy this nagging sensation by putting on your noise-canceling headphones, drawing the curtains, and pressing play on “Fingertips” by Lana Del Rey. The crying begins, the catharsis takes hold, and it becomes almost too easy to sit and stew in that all-consuming grief. Sitting in this sadness can be such a relief that we start to crave it.
Lucy Boynton, star of The Greatest Hits—a new romantic drama streaming on Hulu now—understands this all too well. “I’ve become much more mindful of not wallowing [in the way music makes me feel],” Boynton told The Daily Beast’s Obsessed in a recent interview. The effect of music on her mood is something that she says she’s noticed much more often after wrapping this film, which is all about the power that music has to sway our emotions—whether in a positive or negative direction, or some volatile space in the middle.
In the film, a young woman named Harriet (Boynton) is stuck in her grief over her boyfriend Max (David Corenswet), whom she lost two years prior in a tragic car accident. Amidst her anguish, Harriet discovers that she can briefly time-travel back to moments that she and Max shared whenever she hears a song that was playing when they were together. This could easily be a corny gimmick for the film to hook itself onto, but instead, The Greatest Hits conjures plenty of emotional resonance by exploring how deeply humans tie music to their experiences, and how it impacts our ability to feel and to grieve.