All 71 ‘Star Trek’ Emmy submissions: ‘Discovery,’ ‘Strange New Worlds’ and ‘Lower Decks’ go for the gold

In some ways, it’s the end of an era for “Star Trek” at the Emmys. “Star Trek: Discovery” has ended after five seasons, and the animated series “Star Trek: Lower Decks” is set to conclude after its upcoming fifth season. But “Star Trek: Strange New Worlds” carries the franchise’s legacy forward, and “Star Trek: Starfleet Academy” is soon to come. But how many Emmy nominations and wins will this year’s three eligible shows rack up? Scroll down to see the list of 71 “Star Trek” submissions across its three series, excluding VFX races where “a panel comprised of voting members from the Special Visual Effects Peer Group will prescreen all submissions to determine the nominations,” as per the academy’s new rules.

“Star Trek’s” Emmy history stretches all the way back to the beginning, when the original series earned Best Drama  bids in 1967 and 1968. “The Next Generation” premiered in 1987, but didn’t earn a Best Drama bid until 1994 for its final season; it did, however, rack up 19 Emmys in Creative Arts categories. “TNG” was the last Best Drama nominee from the “Star Trek” franchise, but artisans in the television academy have continued to acknowledge the series’ crafts. “Deep Space Nine” claimed four prizes during its run. “Voyager” collected seven. “Picard” prevailed once. “Discovery” has already taken two awards home. And “Strange New Worlds” got on the board with a nomination for its first season.

So there’s a good chance “Star Trek” will be on the list of nominees when they’re announced on July 17. But will it return to the race for Best Drama Series? After 30 years, it’s due.

“STAR TREK: DISCOVERY” (31)

Best Drama Series

Best Drama Actor
David Ajala

Best Drama Actress
Sonequa Martin-Green

Best Drama Supporting Actor
Wilson Cruz
Blu Del Barrio
Doug Jones
Anthony Rapp
Callum Keith Rennie
Elias Toufexis

Best Drama Supporting Actress
Eve Harlow
Tig Notaro
Mary Wiseman

Best Drama Guest Actor
David Cronenberg, “Red Directive”
Oded Fehr, “Under the Twin Moons”

Best Directing For A Drama Series
“Red Directive”

Best Writing For A Drama Series
“Life, Itself”

Best Casting For A Drama Series

Best Character Voice-Over Performance
Julianne Grossman, “Face the Strange”

Best Cinematography For A Series (One Hour)
“Red Directive”
“Whistlespeak”

Best Fantasy/Sci-Fi Costumes
“Red Directive”

Best Music Composition For A Series (Original Dramatic Score)
“Red Directive”

Best Period Or Fantasy/Sci-Fi Hairstyling
“Face the Strange”

Best Period Or Fantasy/Sci-Fi Makeup (Non-Prosthetic)
“Life, Itself”

Best Picture Editing For A Drama Series
“Life, Itself”

Best Production Design For A Narrative Period Or Fantasy Program (One Hour Or More)
“Life, Itself”

Best Prosthetic Makeup
“Life, Itself”

Best Sound Editing For A Comedy Or Drama Series (One Hour)
“Red Directive”

Best Sound Mixing For A Comedy Or Drama Series (One Hour)
“Red Directive”

Best Stunt Coordination For Drama Programming

Best Stunt Performance
“Face the Strange”

“STAR TREK: LOWER DECKS” (7)

Best Animated Program
“Twovix”

Best Writing For A Comedy Series
“The Inner Fight”

Best Character Voice-Over Performance
Tawny Newsome
Jack Quaid

Best Picture Editing For A Single-Camera Comedy Series
“Caves”

Best Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation
“The Inner Fight”

Best Sound Mixing For A Comedy Or Drama Series (Half-Hour) And Animation
“Old Friends, New Planets”

“STAR TREK: STRANGE NEW WORLDS” (33)

Best Drama Series

Best Drama Actor
Anson Mount

Best Drama Supporting Actor
Babs Olusanmokun
Ethan Peck

Best Drama Supporting Actress
Jess Bush
Christina Chong
Celia Rose Gooding
Carol Kane
Melissa Navia
Rebecca Romijn

Best Drama Guest Actor
David Huynh, “Among the Lotus Eaters”
Paul Wesley, “Tomorrow and Tomorrow and Tomorrow”

Best Drama Guest Actress
Yetide Badaki, “Ad Astra Per Aspera”

Best Directing For A Drama Series
“Ad Astra Per Aspera”
“Subspace Rhapsody”

Best Writing For A Drama Series
“Subspace Rhapsody”

Best Casting For A Drama Series

Best Choreography For Scripted Programming
“We Are One” / “I’m Ready” / “Connect To Your Truth”

Best Cinematography For A Series (One Hour)
“Ad Astra Per Aspera”
“Hegemony”

Best Fantasy/Sci-Fi Costumes
“The Broken Circle”

Best Music Composition For A Series (Original Dramatic Score)
“Tomorrow and Tomorrow and Tomorrow”

Best Original Music And Lyrics
“We Are One” from “Subspace Rhapsody”

Best Period Or Fantasy/Sci-Fi Hairstyling
“The Broken Circle”

Period Or Fantasy/Sci-Fi Makeup (Non-Prosthetic)
“Charades”

Picture Editing For A Drama Series
“Hegemony”
“Subspace Rhapsody”

Best Production Design For A Narrative Period Or Fantasy Program (One Hour Or More)
“Among the Lotus Eaters”

Best Prosthetic Makeup
“Ad Astra Per Aspera”

Best Sound Editing For A Comedy Or Drama Series (One Hour)
“Hegemony”

Best Sound Mixing For A Comedy Or Drama Series (One Hour)
“Subspace Rhapsody”

Best Stunt Coordination For Drama Programming

Best Stunt Performance
“The Broken Circle”

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