Terror Group’s News Outlet Deletes Article About PFLP-Tied Journalist Criticized for Emmy Nomination
Palestinian PFLP supporters seen during a rally marking the 52nd anniversary of its founding, in the West Bank city of Nablus, on Dec. 14, 2019. Photo: Nasser Ishtayeh/Flash90.
A Gaza-based news outlet established by the Popular Front for the Liberation of Palestine (PFLP) deleted an article that praised Gaza journalist Bisan Owda amid controversy about her receiving an Emmy nomination because of her connection to the US-designated terrorist organization.
The Arabic-language publication Al-Hadaf, which serves as the mouthpiece for the PFLP, deleted an article titled “Journalism in the Crosshairs of Politics… how Bisan Owda became a symbol of resistance journalism” that was published on Thursday, according to The Jerusalem Post. The move came after more than 150 members of the entertainment industry called on the National Academy of Television Arts & Sciences (NATAS) last week to rescind Owda’s Emmy nomination due to her support for the PFLP.
The Gaza-based Palestinian journalist and filmmaker was nominated for her documentary series “It’s Bisan From Gaza and I’m Still Alive” in the 2024 Emmy Awards for News & Documentary in the category of outstanding hard news feature story: short form. In the docuseries, Owda reports from Gaza and documents the daily life of Palestinians during the ongoing Israel-Hamas war.
The docuseries was a collaboration with the digital media outlet AJ+ which is based in the US and is a subsidiary of the Qatari-owned media outlet Al Jazeera. In 2020, the US Department of Justice ordered AJ+ to register as a foreign agent under the Foreign Agents Registration Act (FARA). The Justice Department declared that the outlet, which is backed by the royal family of Qatar, engages in “political activities” on behalf of Qatar’s government and is “designed to influence American perceptions of a domestic policy issue or a foreign nation’s activities or its leadership.” However, the outlet has refused to follow the department’s orders.
Owda’s longstanding ties to PFLP – which is designated as a terrorist organization in US, Israel, European Union and Canada — was exposed shortly after her Emmy nomination was announced in mid-July. She attended and spoke at PFLP rallies, hosted events honoring Palestinians fighting Israeli soldiers, and the PFLP referred to her in 2018 as a member of its Progressive Youth Union. She also regularly makes anti-Zionist comments on social media while reporting from Gaza about the Israel-Hamas war.
More than 150 entertainment industry figures said in an open letter to NATAS that Owda’s Emmy nomination is in violation of the Academy’s code of ethical conduct, and is also “deeply troubling, given the creator’s history of promoting dangerous falsehoods, spreading antisemitism, and condoning violence.” The letter was spearheaded by the nonprofit organization Creative Community for Peace (CCFP).
In response to the open letter, NATAS President and CEO Adam Sharp sent a letter to CCFP President Ari Ingel defending Owda’s nomination.
“NATAS is aware of reports, cited in your letter and initially surfaced by a communications consultant in the region, that appear to show a then-teenaged Bisan Owda speaking at various PFLP-associated events between six and nine years ago. NATAS has been unable to corroborate these reports, nor has it been able, to date, to surface any evidence of more contemporary or active involvement by Owda with the PFLP organization,” Sharp wrote.
He explained that Owda’s docuseries “was reviewed by two successive panels of independent judges, including senior editorial leadership from each significant US broadcast news network.” The panels concluded that “It’s Bisan From Gaza and I’m Still Alive” was “consistent with competition rules and NATAS policies.”
“Accordingly, NATAS has found no grounds, to date, upon which to overturn the editorial judgment of the independent journalists who reviewed the material,” he added. Sharp also told Ingel that some Emmy nominations “have been controversial, giving a platform to voices that certain viewers may find objectionable or even abhorrent. But all have been in the service of the journalistic mission to capture every facet of the story.”
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