There’s a moment early in Robert Eggers’ Nosferatu, when Lily-Rose Depp, last seen as the twisty pop star in The Idol, telegraphs to the audience: This will be unlike anything you’ve ever seen before. In Eggers’ reimagining of F.W. Murnau’s 1922 German Expressionist horror fantasy Nosferatu: A Symphony of Horror, Depp is magnetic vampire muse […]
