Patriotic. That was my gut reaction in the opening scene. This is a reimagined Philippines that refused to bow, a nation that never saw the shadow of colonization. It’s bold, it’s aspirational, and it sets the tone for a film that dreams big.

Now, let’s talk Vic Sotto. I grew up watching him on Eat Bulaga. My childhood favorite of the trio, the guy who laughed so hard at Allan K’s tumbling pustiso, he had me laugh-crying too. But here? As Lakan Makisig, Vic ditches the comedy slapstick and brings depth. His portrayal is restrained, refined, dignified — surprisingly, he carries it like a seasoned monarch.

Piolo Pascual is steady as always, like a strong, dependable cup of Benguet coffee in the morning. Cristine Reyes? Predictable, like pandesal that goes with the coffee. Sid Lucero, though, was a revelation as Bagwis. He made “ordinary” extraordinary in one scene that had me cackling. Sue Ramirez? Stunning, but her role felt more beauty than beast.

And then there’s Cedrick Juan and Iza Calzado, the unsung MVPs of the film. Their short but brilliant appearances left a strong impression. Sometimes, less really is more.

Shoutout to director Michael Tuviera for steering the cast into balanced performances. It’s so easy to let things go full on Pinoy teleserye (television drama), but here, the drama felt purposeful. The story, co-penned by Tuviera and Michelle Ngu-Nario, has its strengths: compelling characters, rich world-building, and a pace that mostly works. Sure, it could’ve been tighter — some scenes dragged — but it gets the job done.

But let’s talk about the visuals, because wow. Our Filipino inabel, our woven textiles, weren’t just props; they were characters in their own right. From the northern death blanket to the southern accents, each piece was an ode to our culture. You could tell the filmmakers did their homework as best they could, consulting historians and anthropologists to use cultural material respectfully. Remember, this is a reimagined world while watching. Taking it with a grain of salt will help.

Now, for the heart of it. This film made me cry — multiple times. Not the ugly cry, but the kind that sneaks up on you, born out of frustration, hope, and a deep yearning for the Philippines we could be. The same desire to have leaders who are competent, fair, and kind, and a society where the laylayan (those on the fringes of society) is truly heard resonates throughout.

The ending screams sequel, and honestly? I want one. The Kingdom has planted the seed; now, let’s see it grow. If you’re looking for a film that’s ambitious, unapologetically Filipino, and packs an emotional punch, this one’s worth the watch. – Rappler.com