Hollywood Leaders Propose Fixes for Gender Disparity: Anti-Bias Training, Public Scoring System

Dozens of ranking executives, agents, writers, directors and talent gathered for a secret two-day conference in October to formulate a plan for Hollywood’s gender equality problem.

The event, hosted by Women in Film’s Los Angeles chapter and the Sundance Institute, drew Lionsgate co-president Erik Feig, showrunner Jenji Kohan, Marvel EVP Victoria Alonso, actress Maria Bello, HBO Films President Len Amato, CAA’s Chris Andrews, Warner Bros. President of Worldwide Marketing and Distribution Sue Kroll and producer Paula Wagner among others.

The result, which was revealed Tuesday, was a four-part plan to help balance the scales for women in Hollywood. Measures include: an “unconscious bias” educator to work with companies on developing content that represents everyone, a “gender parity stamp” that scores and approves content as balanced, a mentoring program for entry-to-mid-level females in the industry and an ambassador program to continue dialogues within studios and networks.

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The summit’s agenda was to “drill into the systemic causes of gender bias in the industry and craft solutions,” a spokesperson said in a statement. The conference, dubbed “The Systemic Change Project: Moving the Needle for Women In Hollywood,” was led by Carolyn Buck Luce and Rob Evans of Imaginal Labs.

Luce and Evans have counseled companies like Google and Goldman Sachs on the advancement of women in the workplace.

“With perspective from opening Sundance’s records for four years of landmark research that examines the barriers facing women in film, the time is right to gather industry leadership and start to address these obstacles,” Sundance Institute Executive Director Keri Putnam said.

“We are at an economic, social and cultural tipping point and sustainable change is within reach. The time to act is now. Hollywood is surprisingly late in coming to this party and this is the time for conversion,” WIF president Cathy Schulman continued.

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The plan is listed as follows:

Advocate ‘Unconscious Bias’ training across the industry. Leaders in other businesses have determined that unconscious bias creates blind spots and leads to missed market opportunities, and also hinders access to valuable consumer segments limiting profits. Creating more content for women and people of color is not only about equality; it also makes good business sense. An expert Unconscious Bias educator will be selected to work with executives and creatives across the industry.

Develop and launch a Gender Parity Stamp to recognize films and television shows — as well as production companies, networks and studios — that show measurable progress to achieving gender equity. Mirrored on the successful work by LGBT advocates and the PGA’s producer mark, this recognition for positive progress will be a visible identifier for companies that have prioritized equal gender hiring practice and have financed or supported business opportunities for women in front of and behind the camera.

Sponsor/Protégé Program. This high-level pilot program will identify talented early-to-mid career female film and TV directors for a year-long training and fellowship program, and pair them with advocates across the industry who will actively help them move to the next level. While many individual companies have training programs, this unique program will enable the protégé to work across different networks, studios and agencies. With the support and participation of executives across the industry, this program will highlight women selected by a panel of leaders and assure they have the tools, relationships, and exposure to launch and sustain their careers.

Ambassadors from the industry leaders at the meeting will spread the word about the solutions to studios, networks and agencies. Crucially, the participants have committed to staying involved in the project and will enlist an ever-growing group of advocates to work inside their organizations on articulating the business case for making changes in culture and practices to hire more women and people of color.

Read the full list of attendees:

Adriana Alberghetti
Agent and partner, WME

Stephanie Allain
Producer of HUSTLE & FLOW, BEYOND THE LIGHTS and former Senior Vice President of Production, Columbia Pictures

Victoria Alonso
Executive Vice President of Physical Production, Marvel Studios

Len Amato
President, HBO Films

Darla Anderson
Producer of TOY STORY 3, CARS, MONSTERS INC., A BUG’S LIFE and Board of Directors, PGA

Chris Andrews
Agent, CAA

Rowena Arguelles
Agent, CAA

Bonnie Arnold
Co-President, Dreamworks Animation

Glen Basner
CEO of FilmNation

Maria Bello
Actor, activist, author and producer

Andrea Berloff
Screenwriter of WORLD TRADE CENTER, STRAIGHT OUTTA COMPTON and Board of Directors, WGA

Cindy Chupack
Writer/Executive Producer of SEX AND THE CITY, Writer/Co-Executive Producer of MODERN FAMILY and EVERYBODY LOVES RAYMOND

Maha Dahkil
Agent, CAA

Mike De Luca
Producer of SOCIAL NETWORK, FIFTY SHADES OF GREY, and former executive at Sony, New Line and Dreamworks

Zanne Devine
Executive Vice President of Film and Television, Miramax

Cassian Elwes
Producer / Executive Producer of THE BUTLER, DALLAS BUYERS CLUB, BLUE VALENTINE and former agent and Head of William Morris Independent

Erik Feig
Co-President, Lionsgate

Sid Ganis
Former executive at Sony Pictures, Lucasfilm, Warner Bros. and Paramount and former President of the Academy of Motion Pictures Arts and Sciences

Liz Gateley
Executive Vice President, Head of Programming, Lifetime Television

Micah Green
Agent and Co-Head of Film Finance, CAA

Catherine Hardwicke
Director of TWILIGHT, THIRTEEN, LORDS OF DOGTOWN, MISS YOU ALREADY

Nina Jacobson
Producer of THE HUNGER GAMES and DIARY OF A WIMPY KID series, former President, Walt Disney Motion Picture Group

Charles King
Founder of MACRO, and former agent and partner, WME

Jenji Kohan
Creator of WEEDS, ORANGE IS THE NEW BLACK

Sue Kroll
President of Worldwide Marketing and Distribution, Warner Bros. Pictures

Franklin Leonard
Founder of The Black List, former executive at Universal and at the production companies of Will Smith, Sydney Pollack and Anthony Minghella, Leonardo DiCaprio, and John Goldwyn

Linda Lichter
Founding law partner of Lichter, Grossman, Nichols, Adler & Feldman, Inc.

Alix Madigan
Head of Creative Affairs, Broad Green Pictures

Zola Mashariki
Executive Vice President, Head of Original Programming at BET Networks, former Senior Vice President, Fox Searchlight

Glen Mazzara
Creator and showrunner of DAMIEN, Executive Producer of THE WALKING DEAD and THE SHIELD and co-chair of the WGA’s Diversity Advisory Group

Hannah Minghella
President, Tristar Pictures and former President, Columbia Pictures

Bruna Papandrea
Co-founder of Pacific Standard, producer of GONE GIRL, WILD, HOT PURSUIT

Kimberly Peirce
Director and writer of BOYS DON’T CRY, CARRIE, STOP-LOSS, Western Council and National Board Member, DGA

Lydia Dean Pilcher
Producer of THE DARJEELING LIMITED, VANITY FAIR, CUTIE AND THE BOXER and Vice President, PGA

Gigi Pritzker
CEO of OddLot Entertainment and Board Trustee, Sundance Institute

Keri Putnam
Executive Director, Sundance Institute

Howard Rodman
President, WGA

Rena Ronson
Agent, partner and Head of the Independent Film Group, UTA

Michelle Satter
Founding Director, Sundance Institute Feature Film Program

Cathy Schulman
Head of Production, STX Entertainment, President, Women In Film Los Angeles and Board Member, Film Independent

Stacy Smith
Director of Media, Diversity & Social Change Initiative, USC and author of Women In Film/Sundance Institute research

Mimi Steinbauer
President and CEO, Radiant Films International

Robin Swicord
Screenwriter of LITTLE WOMEN, THE CURIOUS CASE OF BENJAMIN BUTTON, JANE AUSTEN BOOK
CLUB, MEMOIRS OF A GEISHA, Governor for the Writers Branch of the Academy and Chair of the Nicholl Fellowship

Paula Wagner
Co-founder, Cruise/Wagner Productions, Producer of the MISSION IMPOSSIBLE trilogy, WAR OF THE WORLDS, THE LAST SAMURAI, former CEO, United Artists and Board Member, PGA