Новости за 29.04.2016

This summer, at least for a brief moment, Ryan Gosling and Russell Crowe are going to make disco, polyester clothes, and outrageous facial hair cool again in "The Nice Guys." And to go with the '70s set action comedy, Warner Bros. has put together a pretty nifty retro style trailer for flick. Looking like it was pulled out of a box in some archive hidden away in a studio warehouse, the cleverly aged promo features old school voiceover, vintage title treatment, and video that looks like it's been warped with time. Читать дальше...

The promise of virtual reality is that it can transport you to places you’d prefer not to go, like the roiling vents at the bottom of the deepest oceans, where crushing pressures and searing heat make an environment fit only for robots.

Now, anyone can be a makeup artist.

Stars Dev Patel and Jeremy Irons and director Matthew Brown stop by the WSJ Cafe to share the inside story of the new movie "The Man Who Knew Infinity" and discuss why the story of the Indian math genius Ramanujan is more important now than ever.

Saturday at 10: Two teenage girls killed on the same California beach six years apart --was a serial killer targeting young women?

Mars has fascinated astronomers and filmmakers in equal measure. Ever since 1918's "A Trip to Mars," filmmakers have been eager to journey to the red planet. Some of the more memorable movies to land on Mars include "Total Recall" and last year's Oscar-nominated Matt Damon vehicle, "The Martian." With President Obama's recent declaration that a manned mission to Mars could be viable for orbit by the 2030s, our overall renewed fascination with the fourth planet from the sun, and "The Martian" racking... Читать дальше...

There’s two identities at war with themselves in director Paddy Breathnach’s tender, but uneven “Viva,” a queer-positive movie about drag queens, queer communities and self-expression in the slums of Havana, and a father and son story about estrangement and reconciliation. In truth, these interwoven ideas should be complementary; a homophobic and domineering father, a gay and timid son and the young man’s discovery of a passionate creative outlet in the midst of bleak poverty and few opportunities: the cathartic escapism of drag expressiveness.