The Arts Foundation director Mary Jane Edwards makes the case that trust-based, unrestricted funding for artists is no longer an idealistic notion but an evidence-backed policy imperative.
Companies are spending heavily on A.I. tokens, but ServiceNow’s Chris Bedi says true ROI comes from efficiency gains, not raw usage metrics.
The author of the newly released novel, Good News, shares the fiction and nonfiction titles that carried her through her own uncertainty—and just might do the same for you.
GameStop CEO Ryan Cohen grabs attention with an unsolicited bid to acquire eBay and then selling personal collectibles on eBay to fund the deal. But serious investors question how the $56 billion deal will actually work out.
Esther Wojcicki shares her Mother’s Day routine, family life and the parenting approach behind her daughters’ success.
Claus von Bülow invested in a Broadway play about a man who murders his rich wife for her inheritance. At the time, nobody found this particularly alarming. In retrospect, it was the most honest thing he ever did.
Amid protests, geopolitical tensions and the contradictions of the Biennale’s own structure, the most compelling pavilions leaned into ancestral knowledge and collective imagination as alternative ways of understanding coexistence in a fractured world.
Forget the rental and the Saturday 7 a.m. Avis line. Public transport covers every hike worth doing this spring—and the Hudson Valley is having a year.
While post-quantum security standards and technical solutions are rapidly advancing, Quantus’ Chris Smith argues that Bitcoin’s network still lacks a clear path for coordinating a migration across millions of wallets, dormant coins and decentralized stakeholders before external technological timelines force the issue.
The exhibition pairs the artist's direct response to composer Isang Yun's biography with her work inspired by Sol LeWitt, placing two very different models of political and aesthetic resistance in conversation.
