Review: Mariana Rondòn’s Underdeveloped And Unsubtle ‘Bad Hair’
Subtlety is a privilege often dishonored in moviemaking. When pictures go out of their way to be bombastic instead of opting for the quieter, more gracious, approach, they tend to reveal a substratum of insecurity. Of course, one hardly faults blockbusters for having too much action (though, with a few in mind, there is such a thing as too too much action) and if a subtle technique goes against your core themes (like this year's examples "Whiplash," "Birdman" and “Interstellar”) then you have immunity. Читать дальше...