New Holocaust Musical Gives Hope Amid Despair of Global War on Israel
Watching actor Jacob Ben-Shmuel refer to a boy whose parents were killed by Nazis in the stunning new musical Amid Falling Walls, I could not help but think of 12-year-old Ariel Zohar from Kibbutz Nahal Oz. His parents, Yaniv and Yasmin, as well as his sisters, Techelet and Keshet, were murdered by Hamas when he went out for a jog on the morning of October 7.
Two days later, the team at The National Yiddish Theatre Folksbeine (NYTF) began rehearsals for its musical, which takes the audience to ghettos in Warsaw, Vilna, Lodz, Cracow, as well as labor camps and forests from 1939 to 1945. The show is now playing at the Museum of Jewish Heritage in Manhattan, and the company had decided to do Amid Falling Walls a year earlier.
“Every moment in rehearsal was infused with our concern,” Zalmen Mlotek, artistic director of the NYTF, said in an interview. He also said that his daughter is in Israel, and that many cast members have relatives there.
Yael Eden Chanukov, who was born in Haifa and grew up in San Diego, plays Esther, and had the most emotive facial expressions of any cast member.
“I felt myself connecting so much to the material,” Chanukov said. “Before, I would have said the only thing that separates me from these Holocaust survivors is time. My family are all Holocaust survivors. Seeing these horrific things that I never thought I would see in my lifetime informed a lot of the work and weirdly made it healing and therapeutic to do every night, especially with how the show ends. I’m helpless to do anything in the sense that I’m not in Israel, but this feels like a small way to do something.”
Steve Skybell, who starred at Tevye in the Yiddish version of Fiddler on the Roof that ran off-Broadway and at NYTF, here is Mordkhe, and he grounds the show with a palpable intensity.
Rachel Zatcoff, who plays Mina, nailed two epic high notes. While nearly all of the 28 songs were stellar, one standout was “Mues,” or “Money,” a jazzy upbeat tune with plenty of wow factor and sass, due to the delivery of Daniella Rabbani, who plays Khane. Some of her relatives are Holocaust survivors, and others are from Iran.
“I feel like if I wasn’t doing this show I might collapse in grief,” Rabbani said. “I have the opportunity to step into the shoes of my ancestors who never lost their dignity, never lost their creativity, and never lost their connection to the divine, to music, to each other, and to rage. It gives me peace, perspective, and chizuk [strength] to perform. One of the songs I sing, ‘Moshe Halt Zikh’ is about not losing hope, because at the time people were committing suicide. The message is not to give up.”
Two actors who light up the stage are Abby Goldfarb and Eli Mayer, who respectively play Sore and Moyshe. Both have movie-star looks and ooze with charisma.
“A show like this is important no matter what’s going on or what century we’re in,” Goldfarb said. “The plan was to do this a year ago. Selfishly, this is a distraction from everything online. But it’s amazing that during the Holocaust these people were able to create music and performances. I think it says a lot about the capacity of the human spirit.”
The show includes testimony from noteworthy figures, including Holocaust survivor Wladislaw Szpilman, famously played by Adrian Brody in The Pianist. I cried at three different moments, and many in the row I sat in did as well.
The show is a rush of oxygen in a time when it has been difficult to breathe. While we cannot unsee the horrors we have seen, or unhear the haunting screams we have heard, we can be presented with the power of our people and a history that tells us those who seek to cause our demise end up sealing their own fate.
Not long after the performance I saw, a kosher restaurant on Manhattan’s Upper East Side was vandalized, with its main window shattered.
Slated to run until December 10, this production is a gem of a show, and you should not miss it. Presented in Yiddish, with subtitles in English and Russian, the experience is user friendly. Several audience members told me the show gave them a sense of hope.
While I don’t know if there is any intention to try to push the show to a bigger life, the musical performances are certainly good enough. It might require scenes with more exposition by Skybell, as well as a love story between the characters played by Goldfarb and Mayer. Many of the songs are obscure, but some are well known, like “Ani Maamin” and “Piskhu Li.”
The show is directed by Matthew “Moti” Didner, with choreography by Tamar Rogoff.
The author is a writer based in New York.
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